One of my writer friends whom I know only through e-mail, a young woman who is not yet published, has been sending her stuff out to multiple agents and editors - something we all do. But she sends her stuff to anyone and everyone, not just those agents/editors who represent her kind of writing. And she's been getting nothing but rejections.
As I see it, there are three problems with what she's doing. The first is, nobody can categorize her writing. It's not romance, although there are definitely romantic elements. Plus the stories are much too long to for category romance. It's not action/adventure, although there is action and adventure in there. It's not literary - it's too genre for that. It's not mystery, although there are mystery elements. We go round and round saying what it's not - but can't seem to agree on what it is. We finally decided on single title mainstream just because nothing else fit. Plus she doesn't do her homework and look for agents who represent her type of work. And therein lies the first problem. How do you send your work out to agents when you can't put a category on it?
The second problem is following the rules. Yes, I know, most rules were made to be broken. But, if an agent's website says they want only a query, you don't send cover letter, chapters, business plan, etc. You send a one page query. Period. All that other stuff will only irritate agents. They don't have the time to wade through mountains of work they didn't request or that doesn't spark interest for them. Yes, I know, we've all been guilty of dumping stuff on the slush pile. But after doing that so many times, the costs add up. Why waste all your money on sending sixty pages or so, when one will do. If you can't boil your story down to a one or two paragraph blurb, you're going to have other problems anyway. This is a good time to figure out how to write that brilliant query letter that will get your foot in the door of a good agent.
The third problem? Accepting advice. For my friend, her every word is gold. A couple of years ago, I was a critique partner with her. I am no longer. Nor are many others I know she's hooked up with. Why? Because she refuses to accept criticism. She believes that every word she writes is gold - even the ones that are misspelled. Yes, she tells a good story, but she could tell it in much less space with some judicious editing. Unfortunately, she's probably not going to get that since, a) she will probably never sell the book, and b) she has alienated everyone in our group so that none of the more experienced people will work with her.
So, my advice for the newbies out there: When you're Stephen King, J.K. Rawlings, or Nora Roberts, you can break the rules. But when you're new, you should at least try to follow the guidelines given by writer's groups, agents and editors. You'll be much better off and will probably make that first sale a lot faster.
Today's author birthdays: Hal Porter, Nikolai Leskow
Today's thought: "I have rewritten - often several times - every word I have ever published. My pencils outlast their erasers." - Vladimir Nabokov
Today's teaser: Do you feel stagnated by what you're writing? Switch gears. Write a letter to the editor of your local newspaper or an article for your local writer's group newsletter. If you write in third person, try a scene in first. Or vice versa. Try writing a short short - a complete story in 100 words or less. Try something different from your usual work.